PAUL ETIENNE LINCOLN

Bad Bentheim Schwein

(2009 - 2012)

 

Bad Bentheim Schwein is a project to re-plant over a decade a lost eighteenth century garden, set in the Bentheim forest.

 

The castle of Burg Bentheim commands an elevated vista of the surrounding countryside of lower Saxony, bordering on North Rhine Westphalia and The Netherlands.

 

Looking northwest from the castle’s ramparts, a magnificent forest can be seen; in earlier times, farmers would take pigs into this forest to graze and feed on the fresh acorns. The farmers, realizing the nutritious effect of the acorns, doctored the oak trees to create a large crown with more acorns for the pigs. Count Franz Georg van Manderscheidt, recognizing the slow destruction of his estate caused by this cap-and-mast technique, banned the pigs from his woods, and decided in the

eighteenth century to transform the forest into a formal garden, using the Baroque ideas of Le Nôtre, exemplified by the gardens of Versailles, as a model.

 

The garden became one of the first in Germany to incorporate this plan, in which the park—divided into three areas, garden, bouquet, and woodland hunting—radiates out from the garden’s central axes. Unfortunately, the Count’s ambition did not tally with his pocket and this elaborate manifestation of manipulated nature ruined him, leaving the garden to revert back to forest in the following century.

 

Bad Bentheim Schwein will reinstate this garden by uniting the forest with its former, banished inhabitant, the Bunte Bentheimer Schwein, and savings boxes to fund the planting of oak trees. Bad Bentheim Schwein is composed of three main elements: the Schwein itself, a mechanical pig that sings and plays an organ melody; the pig is housed in the Schloss Schwein (Pig Palace), a folly sited on a miniature island set within the lake on the central axis of the Schlosspark and indeed the original garden; nine specially prepared savings boxes installed in bars and cultural institutions around Bad Bentheim and the surrounding countryside.